It's compiled like a jokebook. Yet a radiant lyricism comes through it all. Holly is like a dirty-minded teenage seductress, and what she says has an element of surprise even for her; her talk is so sexy it gives her ideas and drives her eyebrows up. Kenny Mark Hamill scrounges parts from an automobile graveyard, and he and his high-school shop class build a shiny Corvette Stingray. Every time we get interested in someone who crosses Caddie's path-the snappy barmaid Josie Jacki Weaver , the brash, flippant bookie Ted Jack Thompson, who gives the film a burst of energy , the shy peddler Sonny Drew Forsythe -and some interaction seems possible, the character promptly drops out of the picture, never to return. For a more extended discussion, see Pauline Kael's book State of the Art.
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Visconti pictures have often had an undercurrent of silliness, and in this one the silliness is very close to the surface; however, there's grandeur in the director's follies and in his allowing his sexual and political obsessions to be displayed so openly. Narrated by Katharine Cornell. As Armand, Robert Taylor is inept but not completely unforgivable: It's a good-natured, sentimental folk-bop movie, in which the Blues Brothers antagonize so many people in the course of rounding up their old band that thousands of vehicles chase them and converge on unlucky streets and plazas. Can't Help Singing US A measured, distanced study of a victim Hans Hirschmuller -a rejected son of a middle-class family-and how he loses the will to live. Panic in the Streets US